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Sci-Fi Sensations – A Critical Reflection
That was awesome. By the end of my time in BCM 325 I’ve grown to love it even more than I already did at the start. Now it’s time to reflect on my live analysis work throughout the second half of the semester, looking at The Matrix (1999), Ready Player One (2018) and Arrival (2016).…
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The Deep End – Music Festivals in 2050
2050, it’s a bit far away. Before I know it, I’ll be 47 years old reading back on this, judging my predictions and if they were correct, had some truth to them, or were completely off base. So, Kai in 2050 if you’re reading this, hope I did you proud and you’re doing alright mate.…
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How Did We End Up Here? – AI and Music Festivals in 2040
Picture this, it’s 2040, you don’t know where the time went. For old times’ sake, you wrangle up your mates from Uni and collectively decide to hit up a music festival. You enter the gates, and what do you see? Maybe a weathered Ocean Alley on stage finally playing their farewell show, or an ultra-elaborate…
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Learning to Multitask – A Critical Reflection
Click images to enlarge I never thought live analysis of films would be so difficult yet easy at the same time. No better way to start a critical reflection than with a contradictory statement. Let me explain, for me to observe an incident in the film and further explore it, that’s what I find easy.…
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How Doomed Are Australian Music Festivals?
As we’re all aware by now, COVID-19 well and truly screwed over many business sectors. One sector that many people take for granted however, took a hit greater than ever, and is making multiple attempts to return to its former glory, only seeing momentary success. The shutdown of Australia’s live music scene in general, hit…